比起超英的定位更应该被称作文艺向的老派惊悚片导演循序渐进地把能想象到所有的bad luck注入到这个边缘人的一天压抑扭曲的氛围一直蔓延到结尾契约之吻甚至是最后的暴乱也没有想象中的酣畅淋漓有的只有带有着悲剧史诗感的混沌迷茫顺带着把DC惯用彩蛋拉出来第N次鞭尸—-没错不用剧透都能知道是谁Phoenix那骨瘦嶙峋、窘迫乖张的演绎让这个Joker鹤立鸡群“They don’t give a shit about person like you”剑指贫富差距的不可逾越开场一直颠簸着爬阶梯的憔悴背影和释放自我后的疯狂舞蹈形成鲜明对比—他那癫狂、无法控制住的笑一直持续到作呕窒息却依旧停不下他敏感脆弱的神经在一次次的嘲讽和欺压下变得麻木当一切幻想如泡沫般破灭Joker这个符号也就诞生了
至于茶也:171.10.114.196
The Wire has transcended the tropes of police drama and looks at the human conditions, the human ecology of certain social groups who are often neglected, forgotten or even rejected by the mainstream of a society. It puts you right into their community and show you both the pretty and ugly sides, both the virtues and vices without flinching, thus avoiding depicting them from an outsider's perspective. In other words, The Wire manages to represent these groups without giving them a sense of otherness, and that is something truly admirable.