More bloody than its predecessor, the final One-armed Swordsman installment features a "male bonding" that bears a homosexual undertone, tantalizing audiences who have since been excited about interpreting the gay subcontext in Chang Cheh's films.
Amazing production and acting (esp. Belize)! Love the elegant scripts and titles: “Bad News, In Vitro, The Messenger, Stop Moving, Beyond Nelly, Heaven I'm in Heaven”